I've always said that if I filmed, it was because I liked what I was filming. And that’s how I started, with dance. I used to dance contemporary, and I sought to move myself behind the camera. I specialize in filming and editing dance, and I am supported by companies like Tempo Ideal (Germany) and Impàs (Spain). 

I have explored artistic expression through videodance (selected in international festivals such as the Rollout Film Festival), autofiction, with both my own and others' archival material (I create the service Presenta:) and installation in 'Exposant Cinema Collage' (finalist at Bòlit Creative Residency - La Chambre Blanche), transformed into 'Les pedres. In Situ.' where I pay tribute to creative processes.

In this search, I also write and direct fiction, such as 'Cuándo' (2019), advised by Asghar Farhadi in a wonderful workshop that led me to a plot twist: I move to Madrid. And it’s that I have to be in constant transformation, like the characters in our stories.

The short films 'Amigas para siempre' (in post-production), written by Alicia Marina and co-directed between the two of us, and 'Qué feliz Navidad' (2022), as well as the comedy microseries 'Analógicos' (in distribution), produced by Calsec Films, are the latest projects I've worked on.

Currently, I am developing my first fiction feature film 'Ull de Llúcia' (Lucy's Eye), a result of being selected for Coofilm 2 and La Residencia de Navarra, produced by Chicken Films and I am also a project instructor at TAI University School of Arts.

I've always said that if I filmed, it was because I liked what I was filming. And that’s how I started, with dance. I used to dance contemporary, and I sought to move myself behind the camera. I specialize in filming and editing dance, and I am supported by companies likeTempo Ideal (Germany) and Impàs (Spain). 

I have explored artistic expression through videodance (selected in international festivals such as the Rollout Film Festival), autofiction, with both my own and others' archival material (I create the service Presenta:) and installation in 'Exposant Cinema Collage' (finalist at Bòlit Creative Residency - La Chambre Blanche), transformed into 'Les pedres. In Situ,' where I pay tribute to creative processes.

In this search, I also write and direct fiction, such as Cuándo (2019), advised by Asghar Farhadi in a wonderful workshop that led me to a script twist: I move to Madrid. And it’s that I have to be in constant transformation, like the characters in our stories.

The short films 'Amigas para siempre' (in post-production), written by Alicia Marina and co-directed between the two of us, and 'Qué feliz Navidad' (2022), as well as the comedy miniseries 'Analógicos' (in distribution), produced by Calsec Films, are the latest projects I've worked on.

Currently, I am developing my first fiction feature film Ull de Llúcia (Eye of Lucía), a result of being selected for Coofilm 2 and La Residencia de Navarra, produced by Chicken Films and I am also a project instructor at TAI University School of Arts.

I've always said that if I filmed, it was because I liked what I was filming. And that’s how I started, with dance. I used to dance contemporary, and I sought to move myself behind the camera. I specialize in filming and editing dance, and I am supported by companies like Tempo Ideal (Germany) and Impàs (Spain). 

I have explored artistic expression through videodance (selected in international festivals such as the Rollout Film Festival), autofiction, with both my own and others' archival footage (I create the service Presenta:) and installation in 'Exposant Cinema Collage' (finalist at Bòlit Creative Residency - La Chambre Blanche), transformed into 'Les pedres. In Situ.' where I pay tribute to creative processes.

In this search, I also write and direct fiction, such as 'Cuándo' (2019), advised by Asghar Farhadi in a wonderful workshop that led me to a plot twist: I move to Madrid. And it’s that I have to be in constant transformation, like the characters in our stories.

The short films 'Amigas para siempre' (in post-production), written by Alicia Marina and co-directed between the two of us, and 'Qué feliz Navidad' (2022), as well as the comedy microseries 'Analógicos' (in distribution), produced by Calsec Films, are the latest projects I've worked on.

Currently, I am developing my first fiction feature film 'Ull de Llúcia' (Lucy's Eye), a result of being selected for Coofilm 2 and La Residencia de Navarra, produced by Chicken Films and I am also a project TAI University School of Arts.